Anatomy and Character Sculpture: Project 2

    22/9/2025 - 4/1/2025 Week 1 - Week 14

Komugi Uchibori / 0363900

Anatomy and Character Sculpture / Bachelor of Design (Hons) in Creative Media


TABLE OF CONTENTS
  1. MBI
  2. Project 2
  3. Final submission

MBI

Project 2

In this stage, we are supposed to create an outfit and props for our character, so I decided to create one-piece as a one-piece outfit, and big bow, and a frill thing as props (decoration.) At first, I created a one-piece by masking and extracting by referring YouTube video (https://youtu.be/cgWQ_2EfS68?si=mIaH9h65zddVUMll). After extracting, I refined by spreading hem.

Fig. 1 one-piece creation

Next, moving on to props. The bow was made from a cylinder first and shaped little by little. Once I finished the rough blocking, I duplicated it and connected to each other. After adding the lower part of the bow, I refined the shape and wrinkles.

Fig. 2 big bow creation


Finally, the frill part, I spent a lot of time on this.  I blocked out the basic volume to define the overall flow.  I gradually refined the silhouette and added rhythmic folds. Finally, I added sharp details like buttons.


Fig. 3 frill prop creation


Lastly, I colored every subtool including props and outfit by masking, brush and fill object.

Fig.4 Coloring


Final submission

Fig.5 Power point submission

Fig.6 final coloring turntable

Comments

Post a Comment

Popular posts from this blog

Advanced Typography: Task 2 Key Artwork & Collateral

Image
19 /5/2025 - 17/6/2025 Week 4 - Week 9 Komugi Uchibori / 0363900 Advanced typography / Bachelor of Design (Hons) in Creative Media Task 2 Key Artwork & Collatereal TABLE OF CONTENT LECTURE INSTRUCTION TASK 2 - Key Artwork & Collateral Final Compilation FEEDBACK REFLECTION FURTHER READING LECTURE Week 5 - Perception & Organization Perception in typography: deals with the visual navigation and interpretation of the reader via contrast, formthe organization of the content. Fig.1-1 Contrast Contrast: adds two more principles into the mix—texture and direction. Dair posits 7 kinds of contrast size weight contrast of form contrast of structure contrast of texture contrast of colour contrast of direction Fig.1-2 Contrast of size Size: provides a point to which the reader's attention is drawn, such as the use of the size in making a title or heading bigger or smaller. Fig.1-3 Contrast of Weight Weight: How the bold type can stand out in the middle of lighter type of the same ...
Read more

Advanced Typography: Task 1 Exercises

Image
22 /4/2025 - 13/5/2025 Week 1 - Week4 Komugi Uchibori / 0363900 Advanced typography/Bachelor of Design (Hons) in Creative Media Task 1 Exercises TABLE OF CONTENT LECTURE INSTRUCTION TASK 1 Task 1 Complition FEEDBACK REFLECTION FURTHER READING LECTURE Week 1 - Typographic systems Fig.1-1 Typpographic systems Typographic systems Axial:  All elements are organized to the left or right of a single axis. Radial: All elements are extended from a point of focus. Dilatational: All elements expand from a central point in a circular fashion. Random: Elements appear to have no specific pattern or relationship. Grid: A system of vertical and horizontal division. Transitional: An informal system of layered banding. Banding means segregating information within bands. Modular: A series of non-objective elements that are constructed as a standardized unit. Bilateral : All text is arranged symmetrically on a single axis. Week 2 - Typographic Composition Typographic Composition Fig.1-2 Typographi...
Read more

Video and Sound production: Exercises

Image
21 /4/2025 - 27/7/2025 Week 1 - Week14 Komugi Uchibori / 0363900 Video and Sound production / Bachelor of Design (Hons) in Creative Media Exercises TABLE OF CONTENTS MBI Week 1 Week 2 Week 3 Week 4 Week 5 Week 6-7 Week 8 Week 9 Week 10 Week 11-14 ! Asynchronous class materials and Exercie included in Week sections ! MBI Week 1  Asynchronous class materials:  Shot size Fig.1-1 Shot size Fig.1-2 Extream Long Shot Extream Long shot (Extream Wide Shot): make your subject appear small against their location. Also making the subject feel overwhelmed by its location, emphasizing the location or isolation. Fig.1-3 The Long Shot The Long  Shot (wide shot): refers that If the subject is a person, then his or her whole body will be in view — but not filling the shot. There should be a grate deal of space above and below the subject. Fig.1-4 Full Shot Full Shot: capture the entire subject from head to toe filling the bottom of the frame to the top of the frame while keeping emp...
Read more